![]() ![]() The problem is that bass guitar has a lot of low & low-mid frequencies that can really interfere with the rest of the mix, and the bass guitar can be very quiet at times, and really loud at times. Compression is a tool to even out the dynamics a little bit of specific sound sources to allow the engineer to increase the level of that sound source without it getting in the way of the rest of the instruments in the mix.Ī good example of this would be a loud bass guitar in a loud rock band. Ideally, you would like to have a lot of bass in the mix, really, as much as possible without overpowering the rest of the band. It seems that many podcasters think of compression as a magic fix for bad recording. I am a live music sound engineer, with some studio recording experience, hoping to become a podcaster. However, I don't let that corrupt my perspective and I don'tĮxcellent episode! So, what we have learned is don’t record noise. May receive compensation from your actions through such links. ![]() Follow post may contain links to products or services with which I have an affiliate relationship and.Subscribe on YouTube for video reviews, Q&A, and more.Join the Facebook Page and watch live podcasting Q&A on Mondays at 2pm (ET).Subscribe to The Audacity to Podcast on Apple Podcasts or.Ask your questions or share your feedback To help you launch or improve your podcast. Request a consultant here and I'll connect you with someone I trust I no longer offer one-on-one consulting outside of Podcasters' Society, but !/theRamenNoodle/status/161658539239157760 Need personalized podcasting help? Use the social buttons or retweet the following. But it's easy (albeit slow) and very effective. It gives no controls and may add an extra step if you don't record into WAV or AIFF. Surprisingly, Levelator did a consistently fantastic job on the audio and handled background noise well. But it's best run on audio with little or no background noise.Ĭ3 Multiband Compressor does a great job, but frequently misses a peak, which throws off normalization (a required extra step). Host recorded with a PR40, Skype cohosts on various mics, through a mixer and into a digital audio recorder.ĮlectroVoice EV-20 through a Mackie ProFX12 mixer with a Behringer MDX4600 compressor/limiter/gate (this is why my tests weren't as effective), into a Roland R-05.ĭownload project Jude and the Ten CommandmentsĪudacity's built-in compressor uses standard terms, but it's not very effective.Ĭhris's Dynamic compressor does a great job with voices and gives easy control. ![]() Recorded with an Audio-Technica AT2020 Cardioid Condenser Mic into a Tascam DR-05 external digital recorder. ![]() Recorded with an iPhone 4 using iTalk app. Recorded with a Shure SM58 to Behringer Tube Ultragain MIC100 to XLR/3.5mm mic jack into Audacity. Huge thanks for their contributions to this test! Yes Music Podcast Please check out each of the podcasts below. The audio compressor line-up Audacity's built-in compressorĭefault settings (requires turning on limiter and each band): Thanks to Alex for originally asking the question about the differences between compressors. I was personally surprised by the winner. The contestants: Audacity's built-in compressor, Chris's Dynamic Compressor, C3 Multiband Compressor, and Levelator. ![]()
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